The 3 Best Museums in Pretoria

Local expert curated 3 best Museums in Pretoria, Gauteng by detailed analysis of customer reviews, services, operating hours, complaints, and many more. Our goal is to create a list with enough choices to cater to everyone's preferences while making sure it was small enough to not be overwhelming.

The Javett Art Centre at the University of Pretoria (Javett-UP)

23 Lynnwood Rd, 0002 Get direction
What our experts say?

An intriguing, brand-new autonomous art centre connected to the University of Pretoria is called The Javett-UP. This enormous project aims to showcase and investigate African art. Along with the important core collections of the Mapungubwe gold and vintage South African art, it will be a bustling centre organising exhibitions. Additionally, a diverse programme of public art, musical performances, and community involvement will be presented. The University of Pretoria, the Javett Foundation, and

An intriguing, brand-new autonomous art centre connected to the University of Pretoria is called The Javett-UP. This enormous project aims to showcase and investigate African art. Along with the important core collections of the Mapungubwe gold and vintage South African art, it will be a bustling centre organising exhibitions. Additionally, a diverse programme of public art, musical performances, and community involvement will be presented. The University of Pretoria, the Javett Foundation, and other contributors are a part of the Centre, which will benefit from the best elements of the academic, public, private, and philanthropic worlds. Read More

RaamDit

Unnamed, 0049 Get direction
What our experts say?

Since its founding in 1979, Faan Naud has worked in the art industry, framing, restoration, art appraisals, and installation of all pictures and mirrors, all of which Faan personally oversees. Under Faan's personal guidance, the three workshop employees at RaamDit have a combined 79 years of experience and are more than capable of expertly framing any priceless works of art, needlework, memorabilia, and anything else you can think of. Numerous frame innovations are our own. One of these is

Since its founding in 1979, Faan Naud has worked in the art industry, framing, restoration, art appraisals, and installation of all pictures and mirrors, all of which Faan personally oversees. Under Faan's personal guidance, the three workshop employees at RaamDit have a combined 79 years of experience and are more than capable of expertly framing any priceless works of art, needlework, memorabilia, and anything else you can think of. Numerous frame innovations are our own. One of these is the now-famous "Floating idea". Developed by Faan in 1978, this involves framing images between glass with a glass surround and is still among the more popular framing techniques used today. A "Box frame" with glass on four or even five sides is one of Faan's other inventions. The signature ball can be seen from all angles thanks to the glass sides, which also let light inside. A request to frame a 1994 Rugby World Cup jersey inspired the creation of this idea, which gave rise to a new kind of framing. Read More

Ditsong National Museum of Cultural History

Bosman St & Visagie St, 0002 Get direction
What our experts say?

We carry out our responsibilities with the utmost professionalism to enhance the institution's reputation. We continuously work to increase our knowledge and expertise, and by enhancing and expanding our skills and abilities, we aim to be thought leaders in the knowledge and heritage sectors. We promote accessibility to our programmes and facilities while advancing the rights of marginalised groups. Given our resources and capabilities, we have a duty to ensure that the goods and services o

We carry out our responsibilities with the utmost professionalism to enhance the institution's reputation. We continuously work to increase our knowledge and expertise, and by enhancing and expanding our skills and abilities, we aim to be thought leaders in the knowledge and heritage sectors. We promote accessibility to our programmes and facilities while advancing the rights of marginalised groups. Given our resources and capabilities, we have a duty to ensure that the goods and services our museums offer are of the highest possible calibre and are delivered in accordance with the fundamentals of good governance. When mistakes are made, we quickly correct the situation and ensure that the lessons are applied to new, more effective working methods. We take seriously our obligation to preserve, raise awareness of, and increase knowledge about. We therefore carefully consider and base our decisions and actions on the best course of action. Due to our moral behavior, we have no tolerance for unfairness or discrimination in any form. Every task we complete is aimed at excellence. We are aware that prioritising people—particularly our customers and employees—is essential to our impact and sustainability. Therefore, as we work to become a digitally transformed, accessible, and relevant group of museums, we compare ourselves to global best practices. We are dedicated to cooperating as a team, developing synergies for improved efficiency and shared learning across all of our museums. As a group, we encourage one another and put in a lot of effort to establish our brand as the meeting place of cultures. Read More